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Showing posts from May, 2018

Bell Bottom fashion in pakistan

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Asslam-O-Alaikum. Hope you are okay.Today i am talk about Bell Bottom fashion in Pakistan.Hope you are enjoying and like this. Bottom fashion in Pakistan .  Chime bottoms, pants with legs that wind up more extensive beneath the knee, were a greatly well known mold amid the 1970s. The belled or flared legs on chime base jeans were initially an utilitarian plan, worn by the individuals who chipped away at water crafts since the seventeenth century. The substantial legs enabled the jeans to be effectively moved up off the beaten path for such untidy employments as washing the decks. Likewise, if a mariner fell over the edge, ringer base jeans could be pulled off finished boots or shoes and the wide legs expanded with air for use as an existence preserver. Bottom fashion in Pakistan . Amid the 1960s the individuals who did not wish to fit in with the strict, moderate garments tenets of the 1950s built up another mold. The dress of this new form was economical and amazingly easygoing. Y

Saba Qamar dazes as work of art for Rimple and Harpreet Narula's first Pakistan

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Asslam-O-Alaikum. Hope you are okay.Today i am talk about Saba Qamar. Saba Qamar dazes as work of art for Rimple and Harpreet Narula's first Pakistan KARACHI : The brains behind the wonderfulness of Sanjay Leela Bhansali-helmed Padmaavat are on their first since forever visit to Pakistan for a three day occasion, called Shan-e-Pakistan. The gathering Rimple and Harpeet Narula conveyed to Pakistan was displayed on the third of May in Karachi and is a story of movement and greatness. Pakistani performing artist Saba Qamar, who denoted her Bollywood make a big appearance in Hindi Medium, wore a dazzling gold and red troupe as Harpreet and Rimple's showsto KARACHI : The brains behind the radiance of Sanjay Leela Bhansali-helmed Padmaavat are on their first since forever visit to Pakistan for a three day occasion, called Shan-e-Pakistan. The gathering Rimple and Harpeet Narula conveyed to Pakistan was exhibited on the third of May in Karachi and is a story of movement and